Archive for mars, 2007

Mon écureuil


2007
03.29
    Une nouvelle page, créée avec le kit Through The Ages pour pouvoir en recevoir la quatrième partie.
    J’adore les couleurs et le style de ce kit et j’ai trouvé qu’il allait bien avec mon petit écureuil.
    Template : à venir
    Police titre et journaling : à venir

     

    Digiscrap


    2007
    03.27
      Depuis dimanche je bidouille avec GIMP pour faire du scrapbooking digital.
      C’est enceinte de mon second enfant que j’ai découvert que faire des albums avec collages, commentaires, décorations etc. comme ceux que j’avais pu réaliser jusque là portait un nom : le scrapbooking.
      J’ai alors acheté du matériel, depuis le Canada parce qu’à l’époque on n’en trouvait pas ou peu en France, pour pouvoir moi aussi réaliser des pages comme celles que je voyais sur 2Peas par exemple. Avec deux puis trois enfants, je n’ai depuis cette époque pas terminé une seule page : manque de temps, pas facile de « travailler » avec des petites mains autour et surtout le manque de place qui m’oblige à devoir tout sortir puis tout ranger même si ma page n’est pas terminée, en sont la cause. Aussi dans sa version digitale, le digiscrap, ce loisirs me convient mieux : le bazar reste sur mon ordinateur,  l’abri des mains trop curieuses, nos photos sont de toutes façons numériques et puis, il peut ne rien coûter si on n’imprime pas les pages (sans parler du risque nul de gâcher du papier ou un ornement… très important pour moi, qui ne suis pas très adroite, la sécurité du digital…).
      J’ai réalisé deux pages depuis dimanche.
      La première doit être retouchée, la seconde aussi vraisemblablement : je ne suis pas satisfaite du « 2″.

      Kit : ALPKitFunkyFun (Anita)
      Police titre et journaling : à venir

      Eloisa to Abelard – Alexander Pope


      2007
      03.25
        In these deep solitudes and awful cells,
        Where heav'nly-pensive contemplation dwells,
        And ever-musing melancholy reigns;
        What means this tumult in a vestal's veins?
        Why rove my thoughts beyond this last retreat?
        Why feels my heart its long-forgotten heat?
        Yet, yet I love! — From Abelard it came,
        And Eloisa yet must kiss the name.
        
        Dear fatal name! rest ever unreveal'd,
        Nor pass these lips in holy silence seal'd.
        Hide it, my heart, within that close disguise,
        Where mix'd with God's, his lov'd idea lies:
        O write it not, my hand — the name appears
        Already written — wash it out, my tears!
        In vain lost Eloisa weeps and prays,
        Her heart still dictates, and her hand obeys.
        
        Relentless walls! whose darksome round contains
        Repentant sighs, and voluntary pains:
        Ye rugged rocks! which holy knees have worn;
        Ye grots and caverns shagg'd with horrid thorn!
        Shrines! where their vigils pale-ey'd virgins keep,
        And pitying saints, whose statues learn to weep!
        Though cold like you, unmov'd, and silent grown,
        I have not yet forgot myself to stone.
        All is not Heav'n's while Abelard has part,
        Still rebel nature holds out half my heart;
        Nor pray'rs nor fasts its stubborn pulse restrain,
        Nor tears, for ages, taught to flow in vain.
        
        Soon as thy letters trembling I unclose,
        That well-known name awakens all my woes.
        Oh name for ever sad! for ever dear!
        Still breath'd in sighs, still usher'd with a tear.
        I tremble too, where'er my own I find,
        Some dire misfortune follows close behind.
        Line after line my gushing eyes o'erflow,
        Led through a sad variety of woe:
        Now warm in love, now with'ring in thy bloom,
        Lost in a convent's solitary gloom!
        There stern religion quench'd th' unwilling flame,
        There died the best of passions, love and fame.
        
        Yet write, oh write me all, that I may join
        Griefs to thy griefs, and echo sighs to thine.
        Nor foes nor fortune take this pow'r away;
        And is my Abelard less kind than they?
        Tears still are mine, and those I need not spare,
        Love but demands what else were shed in pray'r;
        No happier task these faded eyes pursue;
        To read and weep is all they now can do.
        
        Then share thy pain, allow that sad relief;
        Ah, more than share it! give me all thy grief.
        Heav'n first taught letters for some wretch's aid,
        Some banish'd lover, or some captive maid;
        They live, they speak, they breathe what love inspires,
        Warm from the soul, and faithful to its fires,
        The virgin's wish without her fears impart,
        Excuse the blush, and pour out all the heart,
        Speed the soft intercourse from soul to soul,
        And waft a sigh from Indus to the Pole.
        
        Thou know'st how guiltless first I met thy flame,
        When Love approach'd me under Friendship's name;
        My fancy form'd thee of angelic kind,
        Some emanation of th' all-beauteous Mind.
        Those smiling eyes, attemp'ring ev'ry day,
        Shone sweetly lambent with celestial day.
        Guiltless I gaz'd; heav'n listen'd while you sung;
        And truths divine came mended from that tongue.
        From lips like those what precept fail'd to move?
        Too soon they taught me 'twas no sin to love.
        Back through the paths of pleasing sense I ran,
        Nor wish'd an Angel whom I lov'd a Man.
        Dim and remote the joys of saints I see;
        Nor envy them, that heav'n I lose for thee.
        
        How oft, when press'd to marriage, have I said,
        Curse on all laws but those which love has made!
        Love, free as air, at sight of human ties,
        Spreads his light wings, and in a moment flies,
        Let wealth, let honour, wait the wedded dame,
        August her deed, and sacred be her fame;
        Before true passion all those views remove,
        Fame, wealth, and honour! what are you to Love?
        The jealous God, when we profane his fires,
        Those restless passions in revenge inspires;
        And bids them make mistaken mortals groan,
        Who seek in love for aught but love alone.
        Should at my feet the world's great master fall,
        Himself, his throne, his world, I'd scorn 'em all:
        Not Caesar's empress would I deign to prove;
        No, make me mistress to the man I love;
        If there be yet another name more free,
        More fond than mistress, make me that to thee!
        Oh happy state! when souls each other draw,
        When love is liberty, and nature, law:
        All then is full, possessing, and possess'd,
        No craving void left aching in the breast:
        Ev'n thought meets thought, ere from the lips it part,
        And each warm wish springs mutual from the heart.
        This sure is bliss (if bliss on earth there be)
        And once the lot of Abelard and me.
        
        Alas, how chang'd! what sudden horrors rise!
        A naked lover bound and bleeding lies!
        Where, where was Eloise? her voice, her hand,
        Her poniard, had oppos'd the dire command.
        Barbarian, stay! that bloody stroke restrain;
        The crime was common, common be the pain.
        I can no more; by shame, by rage suppress'd,
        Let tears, and burning blushes speak the rest.
        
        Canst thou forget that sad, that solemn day,
        When victims at yon altar's foot we lay?
        Canst thou forget what tears that moment fell,
        When, warm in youth, I bade the world farewell?
        As with cold lips I kiss'd the sacred veil,
        The shrines all trembl'd, and the lamps grew pale:
        Heav'n scarce believ'd the conquest it survey'd,
        And saints with wonder heard the vows I made.
        Yet then, to those dread altars as I drew,
        Not on the Cross my eyes were fix'd, but you:
        Not grace, or zeal, love only was my call,
        And if I lose thy love, I lose my all.
        Come! with thy looks, thy words, relieve my woe;
        Those still at least are left thee to bestow.
        Still on that breast enamour'd let me lie,
        Still drink delicious poison from thy eye,
        Pant on thy lip, and to thy heart be press'd;
        Give all thou canst — and let me dream the rest.
        Ah no! instruct me other joys to prize,
        With other beauties charm my partial eyes,
        Full in my view set all the bright abode,
        And make my soul quit Abelard for God.
        
        Ah, think at least thy flock deserves thy care,
        Plants of thy hand, and children of thy pray'r.
        From the false world in early youth they fled,
        By thee to mountains, wilds, and deserts led.
        You rais'd these hallow'd walls; the desert smil'd,
        And Paradise was open'd in the wild.
        No weeping orphan saw his father's stores
        Our shrines irradiate, or emblaze the floors;
        No silver saints, by dying misers giv'n,
        Here brib'd the rage of ill-requited heav'n:
        But such plain roofs as piety could raise,
        And only vocal with the Maker's praise.
        In these lone walls (their days eternal bound)
        These moss-grown domes with spiry turrets crown'd,
        Where awful arches make a noonday night,
        And the dim windows shed a solemn light;
        Thy eyes diffus'd a reconciling ray,
        And gleams of glory brighten'd all the day.
        But now no face divine contentment wears,
        'Tis all blank sadness, or continual tears.
        See how the force of others' pray'rs I try,
        (O pious fraud of am'rous charity!)
        But why should I on others' pray'rs depend?
        Come thou, my father, brother, husband, friend!
        Ah let thy handmaid, sister, daughter move,
        And all those tender names in one, thy love!
        The darksome pines that o'er yon rocks reclin'd
        Wave high, and murmur to the hollow wind,
        The wand'ring streams that shine between the hills,
        The grots that echo to the tinkling rills,
        The dying gales that pant upon the trees,
        The lakes that quiver to the curling breeze;
        No more these scenes my meditation aid,
        Or lull to rest the visionary maid.
        But o'er the twilight groves and dusky caves,
        Long-sounding aisles, and intermingled graves,
        Black Melancholy sits, and round her throws
        A death-like silence, and a dread repose:
        Her gloomy presence saddens all the scene,
        Shades ev'ry flow'r, and darkens ev'ry green,
        Deepens the murmur of the falling floods,
        And breathes a browner horror on the woods.
        
        Yet here for ever, ever must I stay;
        Sad proof how well a lover can obey!
        Death, only death, can break the lasting chain;
        And here, ev'n then, shall my cold dust remain,
        Here all its frailties, all its flames resign,
        And wait till 'tis no sin to mix with thine.
        
        Ah wretch! believ'd the spouse of God in vain,
        Confess'd within the slave of love and man.
        Assist me, Heav'n! but whence arose that pray'r?
        Sprung it from piety, or from despair?
        Ev'n here, where frozen chastity retires,
        Love finds an altar for forbidden fires.
        I ought to grieve, but cannot what I ought;
        I mourn the lover, not lament the fault;
        I view my crime, but kindle at the view,
        Repent old pleasures, and solicit new;
        Now turn'd to Heav'n, I weep my past offence,
        Now think of thee, and curse my innocence.
        Of all affliction taught a lover yet,
        'Tis sure the hardest science to forget!
        How shall I lose the sin, yet keep the sense,
        And love th' offender, yet detest th' offence?
        How the dear object from the crime remove,
        Or how distinguish penitence from love?
        Unequal task! a passion to resign,
        For hearts so touch'd, so pierc'd, so lost as mine.
        Ere such a soul regains its peaceful state,
        How often must it love, how often hate!
        How often hope, despair, resent, regret,
        Conceal, disdain — do all things but forget.
        But let Heav'n seize it, all at once 'tis fir'd;
        Not touch'd, but rapt; not waken'd, but inspir'd!
        Oh come! oh teach me nature to subdue,
        Renounce my love, my life, myself — and you.
        Fill my fond heart with God alone, for he
        Alone can rival, can succeed to thee.
        
        How happy is the blameless vestal's lot!The world forgetting, by the world forgot.Eternal sunshine of the spotless mind!
        Each pray'r accepted, and each wish resign'd;
        Labour and rest, that equal periods keep;
        "Obedient slumbers that can wake and weep;"
        Desires compos'd, affections ever ev'n,
        Tears that delight, and sighs that waft to Heav'n.
        Grace shines around her with serenest beams,
        And whisp'ring angels prompt her golden dreams.
        For her th' unfading rose of Eden blooms,
        And wings of seraphs shed divine perfumes,
        For her the Spouse prepares the bridal ring,
        For her white virgins hymeneals sing,
        To sounds of heav'nly harps she dies away,
        And melts in visions of eternal day.
        
        Far other dreams my erring soul employ,
        Far other raptures, of unholy joy:
        When at the close of each sad, sorrowing day,
        Fancy restores what vengeance snatch'd away,
        Then conscience sleeps, and leaving nature free,
        All my loose soul unbounded springs to thee.
        Oh curs'd, dear horrors of all-conscious night!
        How glowing guilt exalts the keen delight!
        Provoking Daemons all restraint remove,
        And stir within me every source of love.
        I hear thee, view thee, gaze o'er all thy charms,
        And round thy phantom glue my clasping arms.
        I wake — no more I hear, no more I view,
        The phantom flies me, as unkind as you.
        I call aloud; it hears not what I say;
        I stretch my empty arms; it glides away.
        To dream once more I close my willing eyes;
        Ye soft illusions, dear deceits, arise!
        Alas, no more — methinks we wand'ring go
        Through dreary wastes, and weep each other's woe,
        Where round some mould'ring tower pale ivy creeps,
        And low-brow'd rocks hang nodding o'er the deeps.
        Sudden you mount, you beckon from the skies;
        Clouds interpose, waves roar, and winds arise.
        I shriek, start up, the same sad prospect find,
        And wake to all the griefs I left behind.
        
        For thee the fates, severely kind, ordain
        A cool suspense from pleasure and from pain;
        Thy life a long, dead calm of fix'd repose;
        No pulse that riots, and no blood that glows.
        Still as the sea, ere winds were taught to blow,
        Or moving spirit bade the waters flow;
        Soft as the slumbers of a saint forgiv'n,
        And mild as opening gleams of promis'd heav'n.
        
        Come, Abelard! for what hast thou to dread?
        The torch of Venus burns not for the dead.
        Nature stands check'd; Religion disapproves;
        Ev'n thou art cold — yet Eloisa loves.
        Ah hopeless, lasting flames! like those that burn
        To light the dead, and warm th' unfruitful urn.
        
        What scenes appear where'er I turn my view?
        The dear ideas, where I fly, pursue,
        Rise in the grove, before the altar rise,
        Stain all my soul, and wanton in my eyes.
        I waste the matin lamp in sighs for thee,
        Thy image steals between my God and me,
        Thy voice I seem in ev'ry hymn to hear,
        With ev'ry bead I drop too soft a tear.
        When from the censer clouds of fragrance roll,
        And swelling organs lift the rising soul,
        One thought of thee puts all the pomp to flight,
        Priests, tapers, temples, swim before my sight:
        In seas of flame my plunging soul is drown'd,
        While altars blaze, and angels tremble round.
        
        While prostrate here in humble grief I lie,
        Kind, virtuous drops just gath'ring in my eye,
        While praying, trembling, in the dust I roll,
        And dawning grace is op'ning on my soul:
        Come, if thou dar'st, all charming as thou art!
        Oppose thyself to Heav'n; dispute my heart;
        Come, with one glance of those deluding eyes
        Blot out each bright idea of the skies;
        Take back that grace, those sorrows, and those tears;
        Take back my fruitless penitence and pray'rs;
        Snatch me, just mounting, from the blest abode;
        Assist the fiends, and tear me from my God!
        
        No, fly me, fly me, far as pole from pole;
        Rise Alps between us! and whole oceans roll!
        Ah, come not, write not, think not once of me,
        Nor share one pang of all I felt for thee.
        Thy oaths I quit, thy memory resign;
        Forget, renounce me, hate whate'er was mine.
        Fair eyes, and tempting looks (which yet I view!)
        Long lov'd, ador'd ideas, all adieu!
        Oh Grace serene! oh virtue heav'nly fair!
        Divine oblivion of low-thoughted care!
        Fresh blooming hope, gay daughter of the sky!
        And faith, our early immortality!
        Enter, each mild, each amicable guest;
        Receive, and wrap me in eternal rest!
        
        See in her cell sad Eloisa spread,
        Propp'd on some tomb, a neighbour of the dead.
        In each low wind methinks a spirit calls,
        And more than echoes talk along the walls.
        Here, as I watch'd the dying lamps around,
        From yonder shrine I heard a hollow sound.
        "Come, sister, come!" (it said, or seem'd to say)
        "Thy place is here, sad sister, come away!
        Once like thyself, I trembled, wept, and pray'd,
        Love's victim then, though now a sainted maid:
        But all is calm in this eternal sleep;
        Here grief forgets to groan, and love to weep,
        Ev'n superstition loses ev'ry fear:
        For God, not man, absolves our frailties here."
        
        I come, I come! prepare your roseate bow'rs,
        Celestial palms, and ever-blooming flow'rs.
        Thither, where sinners may have rest, I go,
        Where flames refin'd in breasts seraphic glow:
        Thou, Abelard! the last sad office pay,
        And smooth my passage to the realms of day;
        See my lips tremble, and my eye-balls roll,
        Suck my last breath, and catch my flying soul!
        Ah no — in sacred vestments may'st thou stand,
        The hallow'd taper trembling in thy hand,
        Present the cross before my lifted eye,
        Teach me at once, and learn of me to die.
        Ah then, thy once-lov'd Eloisa see!
        It will be then no crime to gaze on me.
        See from my cheek the transient roses fly!
        See the last sparkle languish in my eye!
        Till ev'ry motion, pulse, and breath be o'er;
        And ev'n my Abelard be lov'd no more.
        O Death all-eloquent! you only prove
        What dust we dote on, when 'tis man we love.
        
        Then too, when fate shall thy fair frame destroy,
        (That cause of all my guilt, and all my joy)
        In trance ecstatic may thy pangs be drown'd,
        Bright clouds descend, and angels watch thee round,
        From op'ning skies may streaming glories shine,
        And saints embrace thee with a love like mine.
        
        May one kind grave unite each hapless name,
        And graft my love immortal on thy fame!
        Then, ages hence, when all my woes are o'er,
        When this rebellious heart shall beat no more;
        If ever chance two wand'ring lovers brings
        To Paraclete's white walls and silver springs,
        O'er the pale marble shall they join their heads,
        And drink the falling tears each other sheds;
        Then sadly say, with mutual pity mov'd,
        "Oh may we never love as these have lov'd!"
        
        From the full choir when loud Hosannas rise,
        And swell the pomp of dreadful sacrifice,
        Amid that scene if some relenting eye
        Glance on the stone where our cold relics lie,
        Devotion's self shall steal a thought from Heav'n,
        One human tear shall drop and be forgiv'n.
        And sure, if fate some future bard shall join
        In sad similitude of griefs to mine,
        Condemn'd whole years in absence to deplore,
        And image charms he must behold no more;
        Such if there be, who loves so long, so well;
        Let him our sad, our tender story tell;
        The well-sung woes will soothe my pensive ghost;
        He best can paint 'em, who shall feel 'em most.
        
        Source
        (gras et italique de moi)

        AW : Week 01 – Day 5


        2007
        03.23
          Si j’ai bien écrit mes MP tous les jours jusqu’à maintenant, elles n’étaient pas longues de trois pages à chaque fois. Je ne suis pas sûre que ça soit réellement important. J’interprète peut-être un peu largement ce que dit Julia Cameron, mais je vois ces MP comme un moyen de me faire prendre conscience de dégager du temps pour explorer ma céativité est quelque chose d’important, de légitime.

          Ce n’est pas une question de performance (écrire 3 pages) ou de durée (y passer 15 minutes, une heure…) c’est un état d’esprit : prendre le temps de reconnaître, de célébrer, d’honorer cette partie créative en nous. J’avais bien aimé l’entrée de blog que j’ai relue avant-hier où la personne (désolée, je ne rerouve pas qui, mais si ça me revient, je mettrais un lien vers son post) disait en substance qu’elle ne se reconnaissait pas dans le tableau « shadow-artist » ou artiste bloqué auxquels Julia Cameron semblait s’adresser exclusivement mais qu’elle avait malgré tout trouvé son compte à suivre The Artist’s Way parce que ce dont elle avait besoin elle, c’était de prendre le temps de, d’inclure ces rendez-vous quotidiens avec sa créativité.
          Même Julia Cameron prévoit que les Morning Pages ne soient pas faites tous les jours : dans
          le check-in de fin de semaine elle demande combien de fois elles ont été faites, espérant que ce soit 7 fois mais reconnaissant qu’il est possible que ce ne soit pas le cas.
          Il peut-être intéressant de se
          demander pourquoi on n’en a pas écrit 7 à la fin de la semaine.
          Par exemple, j’avais pensé que je pourrais écrire le matin, avant que les enfants ne soient levés. Clairement, après 5 jours, ça ne fonctionne pas et le milieu de matinée semble être un moment plus propice pour moi puisqu’à ce moment-là mes enfants sont dans leurs jeux, notre routine du matin est terminée et ils semblent n’avoir pas besoin de moi pour un temps suffisamment long qui me laisse le loisir d’écrire mes Morning Pages. Ceci dit, je n’abandonne pas l’idée de les écrire au réveil un jour… pourquoi au réveil ? Il me semble que c’est un moment particulièrement adapté à une écriture au fil de la pensée, je me dis sans doute qu’au saut du lit si je ne suis pas bien réveilée mon Censeur non plus ne doit pas l’être :) !

          Nettoyages de printemps


          2007
          03.23

            Plusieurs articles lus sur SoulfulLiving m’ont inspirée ces derniers jours (je suis abonnée à la newsletter quotidienne depuis plus d’un an maintenant) :

            - Spring Cleaning for the Soul (Kathryn L. Robyn)
            - Tips for Springtime Space Cleaning (Christian Hummel)
            - Rituals for Springtime Soul Cleansing (Barabara Biziou)
            - Connecting with your Creative Soul (Ami McKay)

            Prendre soin de soi


            2007
            03.23

              How many of us actually take good care of ourselves? Do we eat right, exercise regularly, spend quality time with friends and family, pursue our dreams, take time to retreat, choose our associates wisely, say no to overextending ourselves, get yearly medical and dental checkups, indulge in moderation, get the sleep we need, laugh often, save money for extended vacations, wear seat belts, use sunscreen, enjoy holiday celebrations, ask for help when needed, communicate our feelings appropriately, plan for retirement, give and receive love, have fun, learn new things, watch a sunset, and rotate the tires on the car? The list seems overwhelming.

              lire la suite de l’article de Rachel Harris sur soulfulliving.com

              Joyeux Ostara !


              2007
              03.21
                Ostara, c’est l’équinoxe de printemps (le jour et la nuit sont d’égale durée), un des huit sabbats wiccans.

                Bonne fête de l’équinoxe !

                Ostara (wikipédia)
                Célébrer Ostara
                Fête païenne de l’équinoxe de printemps

                Ostara (en anglais)
                Ostara crafts

                Puzzle


                2007
                03.20

                  Je suis un puzzle ambulant.
                  Chaque jour, une pièce s’ajoute à l’ensemble. Parfois celle qui complète les pièces déjà présentes semble n’être rien d’autre qu’un petit bout de chaos supplémentaire, parfois j’ajoute au tableau un morceau dont je suis fière, la plupart du temps les pièces ont la forme de trois petits zèbres qui courent.
                  Certains jours le choix de la pièce que je VEUX inclure est difficile… quoi qu’il en soit, jour après jour, j’ajoute une pièce.
                  Et je veux croire que l’Univers me tend les bonnes pièces pour que j’en fasse quelque chose de beau à la fin.

                  AW : Week 01 – Day 2


                  2007
                  03.20
                    Je n’ai même pas pu faire mes trois pages de MP ce matin… pas faute d’avoir essayé pourtant.
                    Par contre, j’ai des idées au bout des doigts :)
                    Je pleure la perte de mes croquis d’idées pour mon AJ, j’ai par erreur reformaté mon ancien palm… en les oubliant dedans (no comment). Je savais bien pourtant qu’il y avait une raison pour laquelle je n’avais pas remis le palm à neuf… enfin, tant pis : soit les idées me reviendront, soit elles resteront où elles sont et d’autres prendront leur place…
                    J’ai compté tout à l’heure les blogs artistiques devant lesquels je me promène avec envie, délices depuis  un certain temps maintenant – avant même de commencer à bloguer (ici ou ailleurs) – et qui sont dans mon agrégateur de flux : une bonne soixantaine (hmm, bon, ok, 72 exactement). Je me sens toute petite devant celles qui savent dessiner, ceux qui savent peindre, celles qui cisellent les mots pour en faire des phrases-bijoux – que ce soit dans la langue de Shakespeare ou dans celle de Molière – ceux et celles qui non seulement ont l’oeil mais qui on plus arrivent à prendre des clichés montrant exactement ce qu’ils voient. Oh, tout ce qu’eux et elles peuvent faire, et que je ne peux pas. Oh, tout ce qu’eux et elles savent faire et que je ne sais pas. Mais personne n’a dit que je ne peux pas apprendre, non ? Bon, presque personne, d’accord.
                    Mais ça tombe bien, cette semaine est consacrée aux blocages… oser, osons, j’ose. Oui.

                    Côté finances 002


                    2007
                    03.20
                      La situation n’est pas réjouissante et j’en blogue ailleurs les détails et ce que je fais pour retrouver l’harmonie financière.
                      Pour aujourd’hui, je rattrape mon retard en rentrant dans grisbi les opérations passées en janvier et février derniers… j’ai un peu de retard dirons-nous… Petit à petit je vais remonter dans le temps jusqu’aux dernières entrées dans le logiciel de comptes que j’utilisais jusque là et je vais ensuite importer ces entrées dans grisbi en espérant qu’il n’y ait pas de pertes.
                      J’ai opté pour grisbi car ce logiciel est compatible avec les différents OS que j’utilise (Ubuntu et Windows XP pour ne pas les nommer), contrairement à Cybermut, le logiciel fourni par ma banque, le Crédit Mutuel donc, que j’utilisais jusqu’à maintenant.
                      Je l’ai trouvé facile d’utilisation et plutôt intuitif (mais bon, je suis une geek alors…) mais il me reste à le tester sous windows pour vérifier que je peux faire des entrées indifféremment sous l’un ou l’autre des PCs de la maison.

                      Fusion, meubles poussés, emménagement…


                      2007
                      03.19

                        Voilà, je pousse les meubles, je change les catégories qui existaient jusque là pour tenir compte des nouveaux articles en provenance d’un autre blog que j’ai importé ici avant de supprimer le blog en question (l’import est en cours pour un second blog qui sera ensuite supprimé… si celui-ci demeure c’est qu’il y avait des commentaires postés, contrairement aux deux autres)…

                        Adieu aux catégories qui existaient :
                        - AJ : Art Journal
                        - AW : Artist’s Way
                        - Art en Vrac
                        - The {21} Challenge
                        Bonjour aux nouvelles :

                        - Harmonie du Blog
                        - Harmonie Alimentaire
                        - Harmonie Financière
                        - Harmonie Créative
                        - Harmonie Spirituelle

                        J’ai renommé les articles de la catégorie Harmonie Créative pour pouvoir regrouper les posts selon les anciennes catégories; les préfixes utilisés me semblent évidents et ne pas nécessiter d’explication supplémentaire.

                        AW : Week 01 – Day 1


                        2007
                        03.19

                          J’ai bien fait mes MP ce matin, quoique avec difficulté (pas simple quand les trolls se lèvent au beau milieu d’une phrase).
                          J’ai voyagé dans le temps, par périodes de 5 ans et commencé le travail de détective.
                          J’ai travaillé sur UNE affirmation pour le moment.
                          Je ne sais pas encore si je vais être plus spécifique ici dans ce qui va se passer au long de ces 12 semaines… par exemple, est-ce que je me sens suffisament à l’aise pour dire quelle affirmation j’ai travaillé, ou pas ? A réfléchir…
                          Un démarrage en douceur, positif, voilà ce qui résume cette première journée.

                          Art en Vrac : 52 figments


                          2007
                          03.19
                            Dommage que ça n’ait pas été reconduit pour 2007, l’exercice se révèle intéressant…52 figments, a creative exercice for 2006Figment [fig·ment] noun
                            1. Something invented, made up, or fabricated: just a figment of the imagination.
                            2. A contrived or fantastic idea; « a figment of the imagination »
                            Synonyms: creation of the brain, creature of the imagination, fabrication, fantasy, fiction, figment, imagination, invention, phantom of the mind, whimsy, wildest dream

                            52 weeks, 52 questions, 52 creations, 52 opportunities to think outside the box, make something up, ponder your most outlandish dreams and have some fun. At the beginning of each week for 2006, a downloadable pdf foldable mailer with a new question will be available here. Some questions will be silly, some challenging, some straightforward and some completely outrageous. Print the file, cut along the dotted line, create your answer – write it, draw it, collage it, anything goes – and send it in!

                            [52 Figments was created and is maintained by Christine Miller, aka Swirly Girl.]

                            AW : Notes de lecture – Week 01


                            2007
                            03.19
                              Voilà les notes pour le premier chapitre, que j’étais trop fatiguée pour reporter ici hier soir.

                              WEEK 1 – RECOVERING A SENSE OF SAFETY
                              - Shadow Artists : no early support, encouragement => shadow artists. Purpose of week 01 is to move from the realms of shadows into the light of creativity. Shadow artists must learn to take themselves seriously and with gentle, deliberate efforts nurture their artist child.
                              Protecting the artist child within : your artist is a child : learning to let create is like learning to walk -> crawling, baby steps, falling…
                              Mistakes are necessary, stumbles are normal : you’re looking for progress, not perfection.
                              Creative recovery <=> marathon training.
                              Give yourself permission to be a bad artist, a beginner.
                              « But you know how old I’ll be by the time I learn to really…. ? » : Yes the same age you’ll be if you don’t ! So let’s start !

                              - Your enemy within : core negative beliefs : much fear of our own creativity is the fear of the unknown.
                              -> Unconscious response to internalized negative beliefs.
                              This week we’ll work at uncovering our negative beliefs and discarding them. Commonly held ennce. If internalized resistance is the enemy within, what follows is some very effective weaponry : so TRY IT BEFORE DISCARDING IT OUT OF HAND.


                              - Your ally within : affirmative weapons : all too often it is audacity and not talent that moves an artist to center stage.
                              You can defer to true genius, but not to self-promotion genius : you could do it better… if only you would let yourself do it. Affirmations will help you do it.
                              An affirmation is a positive statement of (positive) belief and  if we can become 1/10 as good at positive self-talk as we are at negative self-talk, we’ll notice an enormous change.
                              When we start working with affirmations they may feel dumb, hokey, embarrassing. We can easily bludgeon ourselves with negative affirmations but saying nice things about ourselves is notoriously hard to do.
                              Try picking an affirmation and rite it ten times in a row. While you’re busy doing that, your Censor will start to object, objections will pop out -> these are your blurts.
                              You’ll be amazed at the
                              rotten things your subconscious will blurt out. Write them down : make a list of your personal blurts.
                              Detective work : where do your blurts come from ? Time-travel : brea
                              k your life in 5-year increments and list by name your major influences in each time block.
                              Each of your blurts has held you in bondage. Each of them must be dissolved. Use your affirmations after your MP. Also use any of the creative affirmations listed (pp. 36-37).


                              TASKS

                              1 – Each morning, get up and write three pages of longhand, stream-of-consciousness morning writing.
                              Do not reread these pages or allow anyone else to read them.
                              Be sure to work with your affirmations of choice and your blurts at the end of each day’s MP. Convert all blurts into positive affirmations.
                              2 – Take yourself on an AD.
                              3 – Time-travel : list 3 old enemies of your creative self-worth. Be as specific as possible. This is your monster hall of fame. It is always necessary to acknowledge creative injuries and grieve them. Otherwise they become creative scar tissue and block your growth.
                              4 – Time-travel : select and write our one horror story from your monster hall of fame. You do not need to write long or much, just jot down whatever details come back to you.
                              It may be cathartic to draw a sketch of your old monster and trash / X it.
                              5 – Write a letter to the editor in your defense. Mail it to yourself.
                              6 – Time-travel : list 3 old champions of your creative self-worth. It’s your hall of champions. Even if you disbelieve a compliment, record it : it may well be true.
                              Write it out and decorate it.
                              7 – Time-travel : select and write out one happy piece of encouragement. Write a thank you letter, mail it to yourself or long-lost mentor.
                              8 – Imaginary lives : if you had 5 other lives, what would you do in each of them ? Whatever occurs to you, jot it down, don’t over think this.
                              The point is to have more fun than you might be having in this one. Look over your list and select one  and do something you’d do if you were living that life (ie pick a guitar if you want to be a guitarist).
                              9 – Add any more injuries and monster that swim back to you to your list as they occur to you. Turn each negat
                              ive into an affirmative positive.
                              10 – Take your artist for a walk.

                              CHECK IN
                              Last day of your week.
                              The purpose of check-ins is to give you a journal of your creative journey.
                              1 – How many days this week did you do your MP ? How was this for you ?
                              2 – Did you do your AD ? What did you do ? How did it feel ?
                              3 – Were there any other issues this week that you consider significant for your recovery ? Describe them.

                              AW : Notes de lectures – Un nouveau départ ?


                              2007
                              03.18
                                Demain, début d’une nouvelle année pour moi.
                                C’est peut-être pour ça que je me décide à (re)commencer à suivre The Artist’s Way.

                                Voici mes notes de lecture pour la première semaine.

                                BASIC TOOLS
                                2 pivotal tools :
                                - Morning Pages (MP): primary tool for creative recovery. To retrieve creativity, you need to find it and you’ll find it through three pages of longhand writing strictly stream-of-consciousness.
                                * MP are not supposed to sound smart (though they can be).
                                * No one is allowed to read your MP except you.
                                * You shouldn’t read yourself for the first 8 weeks or so.
                                * Just write and stick pages into an envelope
                                * Better put angry, whiny, petty stuff on the page than having it stand between you and your creativity.
                                * MP are nonnegociable : never skip or skimp, no matter what your mood is.
                                * Do anything (including writing « can’t think of anything to write ») until you have filled three pages.
                                * MP get us beyond our Censor to our own quiet center.

                                -> Logic Brain : thinks in a neat linear fashion. Perceives the world according to known categories. Survival brain : works on known principles so anything unknown is perceived as wrong and possibly dangerous. Logic Brain is our Censor.
                                -> Artist Brain : our inventor, our child. Creative, holistic brain. Thinks in pattern and shadings. Associative and freewheeling. Makes new connections.
                                MP teach
                                logic brain to stand aside and let artist brain play.  It may be useful to some to see MP as meditation.

                                - The Artist Date (AD) : if you consider a radio analogy MP = out and AD = in (receiver – transmitter). AD is a block of tim set aside committed to nurturing creative consciousness, inner artist.
                                * Take no one on this date but you and your inner artist (view this a the equivalent of spending some quality time with your spouse).
                                * Commit yourself to a weekly AD.

                                - Creativity Contract : sign the contract, maybe make a small ceremony for yourself, buy a nice notebook….